la Nouvelle Alliance: Nihiltronix + Nocturne + Liberator + Vladimír Hirsch

Nihiltronix

CK / NIHILTRONIX: ICK has turned to NIHILTRONIX Date de création : 1993 Date des obsèques : 2007 (début de NIHILTRONIX) Personnel Permanent : - Arnaud B. Personnel intermittent : l'homme invisible. Personnel collaborateur passé : - Kontroleur Ubu, Jericho, Geoffroy D., Klaus Charnier, PSS480, La Baboute, S-A. Sources d'inspiration : - Médecine et psychiatrie - dégénérescence. - Attitudes Humaines extrêmes. - Manipulation des masses / Subversion / Insoumission / Résistance. Style : Nihil Tronix © / Nada Wave. But / Objectif : AUCUN / d'ordre salutaire et d'intérêt général. Orientations Politiques : Toutes / Merveilleux observatoire. Religion : None / All Mottos: - "the nature ov your oppression iz the aesthetic ov our anger". - "il n'est plus d'ordre à sauver, il faut en refaire un". Ressources musicales : -BERURIER NOIR (1983/1984) -THROBBING GRISTLE -NICO -CRASS Autres activités : -Animateur du label LA NOUVELLE ALLIANCE. -Unique membre de KROM Y (Invasion planète label. R.I.P.) / elektro stuff. R.I.P. -Unique membre de NEVROZ (Slaughter production label. M.C. R.I.P.x2) / death industrial stuff. R.I.P. -Membre de BLASTERKORPS. R.I.P. -Ex-membre du projet electro-punk PERVERSE TEENS (en activité) -Chroniqueur / intervieweur pour ACEPHALE MAGAZINE jusqu'en 2004 Labels : -La Nouvelle Alliance (Fr.) -Hau ruck ! (Aut.) -Blade records (It.) -Steelwork maschine (Fr.) -Invasion planète (Fr.) -Slaughter production (It.) -Petit enfant (Nl.)

Nocturne

Nocturne is a musical representation of Art Shock's visual work, which is completely based on historical facts related to World War II, representing in a crude way this reality in sounds and images. Uncompromising bubbling "military" industrial and abrasive power-electronic sounds, obscure war noise outfit, deep rumbling from hell, wrapped in a gristly sleeve, it sounds like a true chronic, a documental soundtrack with lots of sampled voices from the past and wartime narration! Pain & reality. Europae in flame! They have a plan for the world.
After the already legendary numerous bombastic experiences on such famous citadels of power-electro & industrial. Saphi the founder of Art Shock Organisation presents another noise experiences...

Liberator

"Our daily lives are a host of compromises of all kinds which we somehow or other fit in with."
Away from domination fights, the project Liberator appeared as a continuation of a legitimate desire to make no compromises about ideas. To that end they needed to have those very ideas, to identify them and to express them. It was a very complex thing, but they did it. Ideas do not die out with human beings, but have always gone through and outlived them.
Liberator is a position and the change of observation angle sometimes frightens the way to view things.
Ideas are ideas when they get spread, discussed, approved of, attacked and contradicted. To that end places needed to be found - concerts are only a means and rooms are not always accessible - public places then became a necessity. But the people has been chased away from streets and places : those are places where we no longer can discuss at one's leisure, where public feeling cannot get shaper any longer. We finally became suspect for sitting on a bench, watching what's going on around places, for watching ourselves. Streets are to the "parliament of people" what "corridors" are to a parliament; and a public place is to the "parliament of people" what the sitting room is to parliament.
This forces to a certain humility and a risk taking which is not always compatible with a certain idea of comfort.
Liberator is a formation composed of Andras and Saint Pire. Between live and performance, between theatre and speeches, between voracious and tough characters, they ARE: "If Treasure is important then human life isn't."

Vladimír Hirsch

V srpnu 2008 vyšlo u italského vydavatelství Ars Benevola Mater v pořadí třetí album kolekce sólových děl Vladimíra Hirsche Symfonie č.4 "Snímání z kříže" ("Descent From The Cross") skladba pro integrovaný hudební soubor, sbor a sóla, op.67, vytvořená v letech 2001 - 2005. Skladba inspirovaná Dostojevského výkladem stejnojemnného obrazu Hanse Holbeina. Projekt v sobě spojuje vyjadřovací prostředky způsobem, který naplňuje autorovu koncepci integrované hudební formy.

Hudebníci: Czech integrated ensemble, Vladimír Hirsch - klávesové nástroje, počítačová technika; Dominika Karčovská - soprán, Martina Sanollová - mezzosoprán
Produkce: Tom Saivon
CD © 2008 Ars Benevola Mater, objednat lze na order@arsbenevolamater.com